Throughout the years, the Resident Evil series has played host to a number of first-person shooter experiences, some of which were more ill-fated than others. Sticking close to the successful story-driven, on-rails formula it established with 2007's Resident Evil: The Umbrella Chronicles, developer Cavia has crafted a more coherent but ultimately less impressive follow-up in The Darkside Chronicles. Though fans will certainly appreciate the plot--especially the never-before-seen story of Leon S. Kennedy and Jack Krauser--extensive overuse of a terrible shaky-cam perspective and cheap surprise tactics make this a hard sell on a console not exactly starving for quality on-rails shooters.
When Leon and Krauser are sent to a small South American village to stop an ex-drug lord suspected of being in league with a researcher from the sinister Umbrella Corporation, things get out of hand fast. As in nearly every populated area that Umbrella touches, zombies and much worse are on the loose, forcing the duo to shoot their way to answers. Along their journey, Leon briefs his partner on Umbrella's dark history by recounting through playable campaigns how he survived the fall of Raccoon City and how his last partner, Claire Redfield, escaped the Rockfort Island detention center. These abbreviated visits to the events of Resident Evil 2 and Code: Veronica are sure to please series fans with some nostalgic moments. But even if you've never battled with a Mr. X Tyrant or visited Umbrella's Antarctica base before, the three story campaigns are thematically linked together in such a way that your newfound knowledge of the past can help make sense of the present.
Because Resident Evil: The Darkside Chronicles is an on-rails shooter, you have very few choices to make in its world outside of the occasional branching path. Instead, you travel along a preset route entirely within the confines of a first-person perspective meant to make you feel as though you are really in the action. While on some level the shaky cam succeeds at this by amping up the tension, it's mostly just annoying because it constantly moves in unrealistic ways, making precision shots almost impossible. This is especially egregious during boss fights when you have only narrow windows of opportunity to save yourself from damage with an accurate attack. Though Darkside tries to make up for the camera shortcomings with an auto-lock feature that lets you lock on to a target you hover your cursor over, this is available only on the easy difficulty setting, and there are times when it doesn't work effectively.
Darkside authentically re-creates some of the more memorable locations from the Resident Evil history and successfully captures much of what made them so distinctive the first time you experienced them. Visually, it's a noticeable improvement over its predecessor, and the gritty look of the various locales further help to establish the game's atmosphere, as does the return of a cast of familiar voices and theme songs that any fan will recognize.
If you're looking to take nostaglic trips through locales like the Raccoon City Police Department and the Ashford family mansion, The Darkside Chronicles has you covered. Even the new South American scenario appears crafted primarily to cater to series aficianados. This is not to say that extensive knowledge of the Resident Evil universe is required to jump into the adventure, but the motion-sickness-inducing camera and inconsistent gameplay are huge hurdles to overcome for someone not already invested. On a platform where great on-rails shooters like Dead Space Extraction and House of the Dead: Overkill are boldly taking the genre forward, The Darkside Chronicles feels a little too much like a trip back in time.
